Why I Write ‘feel good’ Novels…A Kid Off to College…and Two Queens


pexels-photo-865844.jpegYesterday, when author and television personality Rick Steves spoke to students about the passion he has for his job, he mentioned the word positivity–that he considers himself a positive person, and his approach to life is that of a positive person.

He and I are alike in that regard.

Despite a small snippet of time during my 52-years of life when I took a little bit of an Eyeore-ish turn, I like to think that I look at the world through a lens that is mostly positive. No one is perfect, however, and I have to catch myself every now and then when I feel I am slipping down a slope that is not going to be productive.

And that brings me to novel writing. I’m working on two things presently: the sequel to Inn Significant and fine-tuning my collection of short stories that I would like to release as a collection. Because there are so many things in life that can get us down and make us angry or hurt or compelled to be negative, I’ve decided that when I write fiction, I don’t want to travel down that path. Most of my stories involved people “rising above” turmoil, tragedy, or mistakes, and it’s something I enjoy sharing with readers. I have no interest in writing something upsetting or overly tragic or maddening.


Because I believe there is more good in people than there is bad; I believe that mistakes can be overcome; I believe that forgiveness does find its way into life and relationships; and I believe that love does have the power to conquer all.


I may sound a little naive where this is concerned, but I’ve seen it in people I am close to as well as heard about from acquaintances and strangers.

And that’s why I write books that will make you happy to read during Spring Break, on the beach, or just when you need a little reminder that love is, indeed, a healing spirit.



We are in the throes of deciding which university my son will attend in the fall. Let me tell you, I am just in awe of how fast times flies (hence why I am reading Mitch Albom’s The Time Keeper.) It’s a great book that forces you to think about time and how it is spent…and how fast it can go…and how if we’re not careful, we can spend our short time on this planet worrying about the most ridiculous things. If you haven’t read this book, you should. Albom is a terrific storyteller, and can tell a story as succinctly and beautifully as possible. I love his style.

Anyway, it’s only a matter of months before my oldest is off to college.

Eighteen years have passed in a flash.

If you have young children, cherish every moment. I was lucky enough to work part-time and stay home with my children, but I still think I missed out on some things I wish I didn’t. You will not regret the time you spend with those you love the most.



I’ve blogged about this a lot, but I want to reiterate it again. Be sure to write down your family stories and keep them someplace sacred. You will want to remember the little details and sometimes a photograph doesn’t tell the whole story. I’ve written about some of the funny things my daughter has said over the years here, but I wish I had done more.

Here are a few links to those funny things Ellie has said during the years.





One final thing for today: if you haven’t watch The Crown on Netflix, you are missing a fantastic series that is based on the life of current Queen Elizabeth. Claire Foy plays Queen Elizabeth, and I adore her acting and portrayal of Elizabeth.

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Claire Foy as Queen Elizabeth

Additionally, if you’re not tapped into Victoria on PBS, again, I urge you to watch this well-done show about Queen Victoria and Albert set in the Victorian era. I love Jenna Coleman in the role of Victoria. She is beautiful and perfectly suited for the role. And Rufus Sewell played the perfect Lord Melbourne.

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Jenna Coleman and Rufus Sewell as Queen Victoria and Lord “M”

Until next time, then…


Stephanie Verni is Professor of Business Communication at Stevenson University and is the author of Inn Significant,  Baseball Girl, and Beneath the Mimosa Tree. Along with her colleagues Leeanne Bell McManus and Chip Rouse, she is a co-author of Event Planning: Communicating Theory and Practice, published by Kendall-Hunt.

A Message in a Bottle (Or An Inbox)

Dedicated to all my fellow writers out there.


You’re tired and worked to the bone, and you’re not sure what your next move will be when a bottle washes up on shore with a message in it. The message is for you.

Stay strong, the message reads. Keep doing what you’re doing. You are doing great.

(You realize that as I’m writing this, I’m hearing The Police singing Message in a Bottle in my head.)

We tend to get a lot of inspiration from others — from those we know to those we have never met — who encourage us to persevere, to continue, to not give up. We may evaluate and reassess and figure out a way to make things work. And these little messages that can be sent via a bottle, a letter, an email, a text message, a phone call, or through face-to-face interaction remind us to not give up on the things we are passionate about, because they are worth our time.

If you’re somebody who writes books and tells stories, either as your full-time job or your part-time job, it’s a heck of an investment of both your time and brain power. You pour your whole heart and soul into writing it. As someone who has done it three times and is heading for a fourth and fifth time, I have the highest admiration for my fellow writers I’m connected with on Instagram and Twitter and Facebook who dive in and get the job done. We do it because it’s a part of who we are, but we also do it because we are simply compelled to do it.

That’s why it’s so special when we hear someone comment on our writing and storytelling.

BaseballGirlwTypewriterWhile my message didn’t come in a bottle (although, seriously, how cool would that be?), it came in my inbox on Tuesday. I was touched beyond belief, and the reader wrote to me about how she connected with my second book, Baseball Girl.

I loved writing that book so much. The story is centered around a woman who works for a professional baseball team, and was loosely based on my life working in the sport. I got to make up characters who were a combination of people I’d met in the world or sports; the setting, which was very similar to that of Baltimore and Camden Yards; scenarios that my friends or I had been through (disguising the names to protect the innocent, of course!); and a love triangle that may have had you rooting for the underdog…or big dog. All of it was fun for me.


As for what that letter in the inbox said, it’s below, though I edited out the end of what she wrote because she discussed the resolution, and I don’t want to give anything away with regard to the plot and the outcome…

“I have always tried to find baseball books that follow girls who love baseball, but could never really find one to relate to…I was so shocked at how much I could relate to Francesca’s story. My father also gave me my passion for baseball, so it was pretty touching how many things I had in common with Francesca. Overall, I just wanted to tell you that your novel was phenomenal. I enjoyed reading it so much! I thought every twist and turn of the book was so interesting and it kept me on my toes. So thank you for creating such an amazing book, one that is not very common!” 

Receiving this sweet message from this reader also made me realize that I need to reach out to authors more often when I enjoy their work. It’s important to let people know that what they write moves you or inspires you or makes you feel connected. Or you just outright enjoyed it and it was entertaining. While I have reached out to some writers over the years, and have heard back from a few, I certainly don’t do it enough, and I promise to do better. And I thank anyone who has reached out over the years.

It means more to me than you can even imagine.



Stephanie Verni is Professor of Business Communication at Stevenson University and is the author of Inn SignificantBaseball Girl, and Beneath the Mimosa Tree. Along with her colleagues Leeanne Bell McManus and Chip Rouse, she is a co-author of Event Planning: Communicating Theory and Practice, published by Kendall-Hunt.


10 Factors That Influence My Storytelling

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Do you ever hop on a treadmill or drive your car and realize you have a lot of time to think? That happened to me over the weekend, and I was thinking about National Novel Writing Month and how different aspects of my life influence my storytelling. I’m sure the same is true for many of you fellow writers out there, but today I thought I’d share the Top 10 Factors That Influence My Storytelling.


No matter where I go, live, work, play, or visit, the people I know, love, or meet for the first time influence my stories. As writers, we take qualities from people we know and love, as well as interesting tidbits from folks we meet along the way. People who share their stories are the best—for it offers a glimpse into someone else’s life.


As you can probably surmise if you’ve read two of my novels, one set in Annapolis, Maryland, and the other set in Oxford, Maryland on the Eastern Shore, I like to write about places. Being able to work on describing that place so well that your readers can “see, hear, smell, taste, and touch aspects of it,” evoking all of your readers’ senses, is imperative to good writing about places. This is one of my favorite things to do. I welcome the challenge of putting someone somewhere and having readers live vicariously through the characters in their setting.


As most people have experienced some type of heartbreak (or many types of heartbreak), I am no different, and I use those emotional experiences to my advantage when writing. Sometimes writing requires you to go to those dark places when things weren’t so pleasant or grief was painful. Being able to tap into those times when life wasn’t so much fun helps inform my writing and make it realistic. But I—and other writers alike—have to be willing to remember how it felt to be heartbroken.


Whether we have actually experienced loss of any kind or can just imagine loss, writing about it means we have to dig deep and feel it. And it doesn’t just have to be death. I’ve experienced loss in my life that wasn’t my choosing—from friendships to breakups—and being able to recall and craft those types of instances helps mold characters and influence storytelling.


There is no doubt that I tap into relationships that matter to me, have influenced me, or have touched me in some way. They always say people come in and out of your life for a reason; sometimes we know why and other times we are left scratching our heads wondering why that person was in our life in the first place. Nevertheless, using relationships as touchstones in our own writing will help bring it to life. I like to use aspects of my real, nonfiction relationships in all the stories I write.


Other books can be tremendously influential. We glean ideas from other writers, ideas about style and cadence or our storytelling, and ideas and techniques from those who do what we do. Reading all types of works helps us determine how we want to set up our stories. Many books have influenced my style of storytelling, from Rosamunde Pilcher to Charles Dickens to JoJo Moyes.


I’ve blogged about and done a PODCAST about this so many times that you are probably sick of hearing me or seeing me write about this subject. I absolutely must be inspired by the space in which I write. If I am not “feeling” my surroundings, I will not be motivated to write anything. And the worst thing that can happen is to be uninspired, sit there, and not write a thing.


Every past experience influences my writing. I’ve made some stupid choices in my life; likewise, I’ve also made some really good decisions as well. Being able to give your characters realistic experiences helps them seem real, so draw from your own life, experiences, and mistakes. This is a great way to write realistic characters. As no one is perfect, neither should your characters be.


When I wrote Baseball Girl, a friend of mine called me afterwards and asked me which player I dated on the Orioles. I laughed. I explained that I didn’t date any player on the team. She said, “Come on!” “No!” I told her. “I just have a really good imagination.” I had worked in baseball for a long time, and my eyes and ears had seen and heard a lot. So, I tapped into my imagination. That’s when you know you’ve got something good—when your imagination is working overtime. That’s when you’re in your groove.

10] LOVE

Finally, what would any of my books be without LOVE? I write about love, in all its forms, from family to friendships to deep romantic love. The definition of a hopeless romantic is “someone who is in love with love.” Yep. That’s me. So I write about it. It’s what makes the world turn, and it absolutely influences everything I do. I’ve loved a lot of people in my life, so why not turn that love for people into some memorable fictional characters and stories. That’s what I intend to keep doing for a very long time to come.

Steph’s Scribe & National Novel Writing Month (NaNoWriMo)

This morning in my two sections of feature writing on campus, I had students engage in an activity for writing DESCRIPTION. We tapped into our senses of smell, touch, and taste, and I had the students smell different items and try to describe the scents (one was from my garden, one was a spice, and two were candle scents); next, they had to touch something and describe that feeling (it was my daughter’s jar of slime, and they were pretty grossed out—it was awesome!); then, they had to take a bite of something and write about what it reminded them of by describing it through a story (it was a piece of a graham cracker). We turned the lights down low, listened to some relaxation music featuring waterfall sounds, and we wrote. I tried to get them in the frame of mind to enjoy writing, a task many of them do not enjoy. Then, they had to write about a personal experience focusing on description.

I love writing, but not everyone does.

I love writing, so I’m working on inspiring others to write, both inside the classroom and outside of it.

Books that started as National Novel Writing Month projects. Amazing!

November 1 marks the beginning of National Novel Writing Month, otherwise known as NaNoWriMo. Famous, well-known published authors have started their novels during this time, and whether you can actually complete the designated 50,000-word novel in four weeks, or it simply prompts you to begin writing “that story” that’s been in your head for a while, I’m going to be right here with you encouraging you EVERY DAY OF THE MONTH OF NOVEMBER. That’s my promise. Whether it’s a quick word of encouragement or a post of my latest writing to show that I practice what I preach (and maybe even post excerpts from what I’m writing as a sequel to Inn Significant, my latest work), I am going to be that voice cheering you on and saying, “You CAN do it.”

Likewise, Stevenson University has been designated as a writing space for NaNoWriMo, and we are kicking it off on November 1 in the School of Business Library at 2 p.m. I’ll be giving a very short talk on writing and getting people inspired, and the Library has created a website with prompts to encourage writing. All are welcome.

I’m excited—truly, I am. After a short bout of writer’s exhaustion having produced three novels and one textbook in the last five years, I needed a short break. But now I am energized to get back at it. In other words, my writing mojo is BACK.

All three of my novels, but I’m exciting to start something new during NaNoWriMo…are you?

I hope you’ll join me for the wonderful journey we’re about to take. Getting your thoughts on paper is super therapeutic, and telling a story that’s been in your head for a long time might just be one of the best things you’ve done in a while.

I’m looking forward to NaNoWriMonth—and I hope you can create some space for yourself to write—even if it’s for only 15 or 20 minutes a day, to do what John Mayer suggests we do in his song, “Say”—

“Say what you need to say…say what you need to say.

Say what you need to say…say what you need to say.”

Let’s give it a whirl, shall we?

How Pieces of You and People You Know End Up in Your Characters


Luckily, for some people I know, I don’t write a lot of villains into my novels. As I do in real life, I try to not let nasty, uncaring, judgmental, ridiculously competitive and fake people seep into my world too often. However, in the short stories I write, I let them in because I don’t have to deal with them for too long, as short stories are just that—short. However, writers have to allow what we learn about people to grace the pages of our stories and illuminate our characters; these sketches of folks should glide into our stories seamlessly. As well, the same is true with the goodness and quirkiness and loveliness of people.

For example, in my recent novel Inn Significant, I texted my friend Charles and told him that Miles was based on him and my husband—kind of a conglomeration of the two. He had no idea, and was flattered by the depiction of Miles in the book. There are people in real life who can bring liveliness and charisma and charm to the characters you are writing—so let that unfold as the characters are made up of characteristics that you see in people.

As for us as writers, how much of ourselves do we let into our stories? I have a wild imagination, so I tend to consider the character and what he or she likes and what would make them that way. For example, in Inn Signficiant, the main character is Milly, and she narrates the book. How much of Milly is in me? Well, let’s see. We both love living near the water. We both are writers and like to read. We both love cruiser bikes, though hers is pink and mine is seafoam green. We both love our families. We both know what true love feels like. We both know what heartbreak feels like. We both value a pretty simple life. We both have a sense of humor.

What we don’t share is that she has felt tragedy, as she has lost her husband in a horrific accident, and goes through a bout of depression. And while I haven’t felt loss like Milly (thankfully), I can imagine its intensity, devastation, and profoundness. I also understand what feeling depressed is like, as I bumped up against that a few years ago during a trying time in my life, and one in which I learned a few lessons about good friendships vs. yucky ones.

As writers, we have to allow these things we know and understand to help develop our characters. We do allow bits of ourselves to show up in our characters, and if it’s not a bit of us, then it’s a collection of bits of others that we know, have interacted with, have been friends with, or maybe even have had a falling out with along the way.

The main point to writing character is to believe that they are real, and then make others believe that they are real. Make them so authentic that people completely understand them. That’s not to say that the characters might not drive readers crazy at times or make them shake their heads and say “what?,” but we need to put realism into our writing.

Plot is wonderful, but people have to be able to identify with the characters.

Years ago, I read the book The Art of Fielding by Chad Harbaugh. I read this book because I was writing Baseball Girl, and I wanted to read as much baseball fiction as I could before I published anything. While Harbaugh’s writing is absolutely beautiful—a true work of literary splendor—the characters were, to me, wholly unbelievable. I couldn’t relate to any of them, and truthfully, only finished the book because I was so deep in at that point, that I needed to see how it ended. But I didn’t enjoy it that much, if I’m being truthful. I desperately wanted to connect with any one of the five main characters in the story. I wanted to find some of their actions redeemable, and yet, I came up just feeling this way about it: meh.

My goal is not to have anyone say meh about my characters. I keep that in the back of my mind the entire time I’m writing.

So don’t leave yourself out of the equation when writing strong, memorable, and relatable characters. You have the potential to bring so much to the story.

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Stephanie Verni is Professor of Business Communication at Stevenson University and is the author of Inn Significant, Baseball Girl, and Beneath the Mimosa Tree. Along with her colleagues Leeanne Bell McManus and Chip Rouse, she is a co-author of Event Planning: Communicating Theory and Practice, published by Kendall-Hunt.



Answering the Question: How Many Books Have You Sold?

How many books have you sold?

It’s the question people like to ask me about my recently released novel entitled Inn Significant. It seems to be the question people have on their minds as the marker that indicates how successful the book has been thus far.

The funny thing is, I liken the question to someone asking me about my age, how much I make, or how robust my sex life is.

Sometimes we are focused too much on the results and not on the process. At least that’s what my husband and I try to teach our kids. The most important aspect revolves around the process that helps us achieve our goals; the results are often secondary (and yes, at times, can be quite important).

As for Inn Significant, I didn’t set out to write a bestseller. That thought is not based in reality; I like to think more realistically. When I began writing the novel, I set out to start the process, see the process through, and complete a project. A writing project. Do you know how many people start something and never finish it? My goal is always to complete it. Writing has been in my blood since I was about 13 years old. I feel compelled to tell stories, and I’m more concerned with the process of that storytelling journey than I am with the results of that journey.

Moreover, I find myself echoing the sentiments of writer Elizabeth Gilbert when she says, “…if I am not actively creating something, then I am probably actively destroying something (myself, a relationship, or my own peace of mind).” Well said, Ms. Gilbert.

If you have the creative inspiration to redecorate a room, you do it, don’t you? If you have the urge to build a spectacular garden with a fountain in your back yard, you take it on, right? If you sit at a blank canvas and paint something that moves you, you don’t tell your inspiration to run away and hide, do you?

No, you don’t; nor do I. If I have the inspiration—if it happens to bless me with a story I think I can piece together in a meaningful way—I write it. Why would I tell my creativity to take a flying leap?

As for book sales, I do my best to try to promote the book, talk up the book, market the book, and sell the book where I can. Just this week, I entered two independent author book contests, and I’m about to enter more. I sent my book off to people who may be able to help promote it. I mailed out press releases. I was booked to talk at a library and a book signing is in the works at a bookstore. I do what I can.

But this is not why I write.

I write, once again, to quote Elizabeth Gilbert, because of this one, main reason: “…at the end of your creative adventure, you have a souvenir—something that you made, something to remind you forever of your brief but transformative encounter with inspiration.”

Screen Shot 2017-03-26 at 11.07.47 AMTo put it simply, I just like to be able to say that I welcomed inspiration and “I did it.”

I also love the fact that my kids see their mom be fearless about putting her creativity out there.

That’s a process worth teaching.

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15781589_865992106837911_1585157622209528074_nStephanie Verni is Professor of Business Communication at Stevenson University and is the author of the newly released Inn SignificantBaseball Girl, and Beneath the Mimosa Tree.  Along with her colleagues Leeanne Bell McManus and Chip Rouse, she is a co-author of Event Planning: Communicating Theory and Practice, published by Kendall-Hunt. 
To visit Stephanie’s Amazon Author page and see her books, click here.