I’ll be taking Inn Significant on the road for a couple of upcoming books talks and signings.
The first, to kick off the Summer Reading Program at the Broadneck Library in Annapolis, Maryland, I’ll be doing a book talk and signing on Monday, June 19 at 7 p.m. The Broadneck Library has scheduled me for all three books I’ve published–they are so dear. A special thanks to Shirley Lord for always being so kind. And Annapolis was the setting of my first book, Beneath the Mimosa Tree. We had a good turnout for Baseball Girl; hopefully, some of you will come and join the fun in Annapolis.
I’ll have books and giveaways and I’ll be signing copies of all three of my books, including Inn Significant.
Also–BOOK CLUBS–I am happy to visit your book club should you choose any of my books as your book club book. I can also Skype in if you don’t live in the vicinity. Contact me at firstname.lastname@example.org, check out my Amazon Author Page, or visit my Facebook page at https://www.facebook.com/StephanieVerni/ .
I hope to see some of you there. If you haven’t visited Oxford, St. Michaels, or Easton, Maryland, you’re in for a treat. Make a day trip out of it and see the places that inspired my novel.
I’m not saying I’m going to do this. Making a commitment to writing another book may be too much for me right now, but the other day, I could “hear” Milly’s voice in my head, so I sat down and wrote.
Maybe I’m not done with her yet. Maybe I’m not done with her story and the story of the Inn.
What follows is what came right from my head to my fingertips as I typed, and is what could potentially be the beginning of a sequel. I’ve never written a sequel before, and the notion of it scares me a little because there’s a lot of pressure to do the first book justice. Nevertheless, I’ve heard what some of you have said…that there’s still more story there…and I’m toying with it.
To those of you who have read Inn Significant, I’d love feedback. I need it.
I’m not sure if this is what’s next on my writing horizon or not…but I would appreciate any input you may have.
We shall see, my friends. We shall see.
By the way, the inspiration for how the barn looks comes from this barn, the White Sparrow Barn in Texas. It’s stunning.
T h e S e q u e l t o I n n S i g n i f i c a n t (maybe)
C h a p t e r 1
The wind whipped, bending the trees in half, as the storm began to wreak havoc on our small town. The river looked angry, as it tossed the white caps into the air and pummeled the shoreline. We had just spent the previous weekend planting vibrant crepe myrtles, miniature cypress trees, and a variety of shrubs and flowers around the perimeter of our new, bright white structure with a light grey tin roof. The long, curvy, slate walkway was completed just two days ago, and the lights that lined it were supposed to be installed today.
No such luck.
We were down to the wire with our first wedding scheduled in two weeks, and the storm was certainly going to set back our timeline—by days. All of the tables and chairs were scheduled to be delivered this week, the chandeliers needed to be installed as they had arrived late from our vendor, and the remaining final touches of paint and sinks for both the men’s and women’s bathrooms were on the docket to be finished over the next seven days.
And while all this might sound a bit desperate and chaotic at the last minute, the construction had gone swimmingly. The barn had been built in record time; its soaring, vaulted ceilings and windows allowed natural light to flow inside it—and it turned out exactly as our architect, Simone, had designed it. She was instrumental in planning a venue that suited the land, matched the feel of the existing Inn, and offered a picturesque setting for weddings and other special events. The sliding doors on the river side of the barn were crafted to open fully to a covered patio with waterfront views, and they were dreamy to say the least. We had decorated the patio with potted boxwoods and cascading flowers planted in urns, which we had moved inside last night before the storm hit to preserve them.
This behemoth of a tropical storm, as it was now being referred to by weatherpersons on every news channel, was churning up a lot of debris, and I’d never witnessed the Tred Avon looking so violent. The Chesapeake Bay was thrashing even more than the river, and pictures of flooded downtown Annapolis had made the news highlights this morning. The images of the storm reminded me of what had happened to Nana’s dear Ferio as he endured that fateful hurricane so long ago. The thought of it all sent a chill up my spine, and I couldn’t help but worry about some folks who may not have taken proper precautions and made their way to safety.
Mother Nature does not mess around. When she has something to say, she tends to say it in a big way, just to make sure we’re all paying attention, and we are quickly reminded that we must respect her authority.
I stood on the porch of Inn Significant in my rainboots and blue raincoat and watched as Oxford got pummeled. My mother was inside making a huge pot of soup for all of us in case we lost electricity, which was certainly a possibility, but hadn’t happened yet. Despite the deluge from the sky and raindrops the size of small pancakes, it was still warm out. John and I had scurried over in our SUV, crawling at about five miles per hour, but my new house—the one I bought impetuously—was only about three quarters of a mile away. We had secured that property—the one that we would soon live in together—and decided to weather the storm at the Inn. There were no guests booked, as everyone had cancelled when the latest weather report concluded that treacherous weather was indeed approaching.
While the renovation on our new place was being done, John had remained living on the grounds in his cottage on my parents’ property. Truthfully, we were enjoying a little bit of courtship before our own wedding, which was set for later in the year.
I looked down and touched the diamond he had given me after we had fully committed to each other and our relationship. Sometimes it felt surreal.
The ring was stunning—and much bigger than the one Gil had given me during our humble beginnings when we were very young and didn’t have any money. John had a lot of money saved up over the years, and he prided himself on being able to give me a ring that, as he said, “was as beautiful as I was, inside and out.”
Those are the kinds of words you can get used to hearing for the rest of your life.
A bolt of lightening flashed in the distance, and seconds later, the boom of thunder sounded and echoed across the river. I felt the porch tremble, and I must admit, I did as well. It also must have startled the seagull that was perched under a tree, for he took off flying against the torrential rain, battling the wind that offered tremendous resistance. And yet, the seagull somehow prevailed and made it safely to another perch.
I stood on the porch and watched as the river sang a much different tune today than it did most days in our town; I wanted it all to be over.
There was something ominous about it, and I didn’t care for it at all.
–Copyright 2017/Stephanie Verni/All Rights Reserved
Yesterday on Instagram, a fellow writer I follow who follows me back asked for input from other writers. Her question was this: How do you write authentic characters, and then how do you make them sound convincing in dialogue?
As someone who has written three fiction books and teaches the subject of writing, I have some advice I can offer. I may not be perfect, and I may be an indie author, but I think I have some ideas to share that may be helpful. I enjoy offering tips to beginning writers because we’ve all been there. These tips are from experience and encompass the best advice I can give from my own perspective.
First, let’s tackle making characters authentic and believable. To begin, you have to have a pretty good sketch of your character. To illustrate my points, I’m going to use John, a main character from my newest book, Inn Significant. Milly, the other main character, is the narrator, so it’s up to me as the writer to showcase John as Milly sees him throughout the book through her eyes. Let’s begin.
John’s Character Sketch
John is 38 years old. He was in the military and had a couple of heartbreaking and powerfully disturbing experiences when he was overseas flying military aircraft. These experiences haunt John, and while I never come out and say he has PTSD, he has PTSD. As the writer, I know this about him. This is the makeup of John that leads him to want to live a simple life on the Eastern Shore of Maryland working at an Inn in a small town (where he is from). He wants nothing complicated. He works for Milly’s parents at the Inn and has his own cottage on the grounds. From this point, I made a list of other things John likes in order to “see” him as a character—and to keep me on track as I wrote him. What are some other characteristics about John? He’s kind. He’s helpful. He likes doing things to please others. He likes to sneak into the Inn’s kitchen at night and whip up his grandmother’s muffins for the guests. He is an artist, which is how he relieves his stress. He runs every day. He’s in shape. He has high cheekbones and is tanned from working outside in the gardens. He drinks Gatorade. He listens to James Taylor. He’s close with his family, and he adores his grandmother. He’s respectful. He’s loyal. And he’s always been incredibly fond of Milly, even when she was married (before her husband suddenly passed away). He likes to read, but isn’t a writer. He owns a boat and likes to kayak.
That’s my basic character sketch of John. These were the things I knew about him as I began to write.
Knowing all these things about him helped me write dialogue that works. So how can you write dialogue that works? To me, you know the characters so well that you can picture exchanges happening as if you are watching a movie. You almost have to pretend they are real. How would you like to see things unfold? How would the characters relate to one another? What would a realistic scene sound like?
Keeping these questions in mind will help you write your dialogue scenes in a way that you should write them. And my other big tip on writing dialogue that works is to read it out loud many times to yourself, and if possible, read it aloud to someone you trust to get feedback.
As an example of this, I will share an exchange between John and Milly from my book; this exchange takes place the first night John asks Milly to hang out with him in the Inn’s kitchen and only her second day working at the Inn (she’s filling in for her parents who have gone away for a year). Milly has not been alone with a man since her husband’s death two and a half years prior, so she’s a little awkward and nervous, but trying to relax as he’s baking.
The Excerpt from Inn Significant
I watched John move around with ease, almost ambidextrous in nature, gliding around effortlessly, pulling items and food from cabinets and pantries. He opened the oven to check the temperature. He mixed up a gooey batter in a sturdy, red mixing bowl with a matching red Williams-Sonoma spatula.
“I’m sorry. I already started the process when I decided to knock on your door,” he said. “This batch is mixed.”
He filled the muffin cups with the batter, letting it pour into each cup, and when they were all filled, he slid the entire tin of what looked like perfection into the oven.
“Would you care for a cup of tea?” he asked, attempting to conjure up a British accent. It didn’t go too well, and we both smiled.
“Yes. Decaf, please,” I said, attempting to produce a similar accent in response, but failing miserably at it.
“Got it,” he said as he began making it.
“I feel silly just sitting here not helping.”
“Don’t. It’s my grandma’s recipe, and because a little birdie told me you didn’t try one this morning, I’m going to make you try one as it comes out of the oven. Your mother told me that your writing career began with food reviews. I’m looking forward to your verdict.”
“That was a long time ago, when I actually was a writer and it meant something.”
“I understand,” he said. “But I’d still like to hear your review of Grandma’s muffins.”
“I’m feeling extraordinary pressure to like them,” I said.
“The word ‘like’ shouldn’t be a part of your vocabulary when you’re describing treats you will salivate over,” he said with a wink. “That’s something you do on Facebook. As a writer and former food critic, I expect a far more elaborate and eloquent dissection and analysis of the food from you.”
“I’m better on paper,” I teased.
When the timer went off, he pulled the first batch out of the oven, steam rising off the tops ever so slightly, and then sat across from me at the table.
“Have one of these,” he said, and he placed a hearty, substantial treat onto my delicate plate adorned with roses.
“A crunchy muffin?” I asked. It appeared to be hard on the bottom with some sort of loose, sugary topping that resembled a crumb bun on top.
“Grandma will want to know if you like her recipe.”
I remember distinctly when I wrote my first novel, Beneath the Mimosa Tree, and I read a passage back to my husband. I was writing from a 32-year-old man’s point of view, and I needed to know if Michael would say what I had written. I read the passage aloud to my husband, and when I was done, I stopped.
“Is that what Michael would say?” I asked my husband.
“No,” he said. “Michael would not say that.”
“What would he say, then?” I asked my husband, seeking help with the paragraph, especially because my husband happens to be A MAN.
“I don’t know,” he said, “but he wouldn’t say that.”
I reworked that paragraph at least ten times until finally, I read it aloud once more, and my husband said, “That’s it. That’s what Michael would say.”
And that, my friends, is why you seek input from others and why it takes time to write something vivid, meaningful, and realistic.
I suppose I’ve always had a fascination for living near the water, and it shows up in my writing. Inn Significant, my latest novel, is set in an Inn on the Tred Avon River in Oxford, Maryland, and features a love story within a love story. There’s something wholly romantic about living near the water, the peacefulness of it all, and the sentimental feelings I have about it come out in my storytelling.
Today, I thought I’d feature the first poem I ever had published a few years ago. I’ve been writing poetry for ages (I think my earliest poem dates back to 6th grade), but I don’t often share my poetry with people, as it can be incredibly intimate and make me feel a little uncomfortable, because it often comes from a place deep down within your soul. However, I’m going to brave it this summer and include some of my poetry in my upcoming book that features short stories and poems called The Postcard and Other Short Stories & Poetry. Wish me luck. I am not entirely comfortable putting these personal thoughts out there, but I guess I have to get over that (which is why I prefer writing fiction–you can hide behind the make believe).
The poem I’m sharing today was featured on The Whistling Fire, which is no longer in existence, so I feel that I can post it now on this blog. It’s one of many poems that will be featured in The Postcard.
Let me know what you think. It’s a sestina poem , and this type of poem is tough to write because the words at the end of each line must remain the words at the end of each line throughout the poem, but in a different order for each stanza as you build the poem. As you will see, my repetitive words are as follows: sea, garden, children, direct, cherish, and beauty. There’s an order to it, and if you like to challenge yourself, I suggest you attempt a sestina.
In the meantime, here’s The Things He Cherished.
Have a great weekend, everyone!
T H E T H I N G S H E C H E R I S H E D, A S E S T I N A
by Stephanie Verni
In my cottage by the sea,
hours spent admiring the garden,
I wait patiently for my children
to return home, direct
from the city to cherish
this place. Its specialness and beauty.
Flowers, surf, majestic beauty—
sharp, blue sky against the sea,
it reflects in my children’s eyes; I cherish
watching them work in the garden
my husband’s eyes in theirs, a direct
melding of our souls into those of our children.
My son, my daughter, walk the lane. My children
still seem so young, their beauty,
their clear sense of life’s direction,
wanting to pay homage to their father, ashes in the sea.
My tears water the garden—
this garden that he cherished.
And oh! He cherished
this home, his dream, and his children,
his handprints still fresh in the garden
his loving touches made it beautiful.
The wind, the water. How he loved the sea–
echoes of his voice saying they provided him direction.
Now heaven’s offering him direction
from above—a new view to cherish–
this diminutive cottage dwarfed by the sea.
Will he see our children?
Will he remember the beauty
he created, lovingly, tenderly in the garden?
My hands are not those of a gardener,
his passion for it—teaching the children
his tricks. How to tend to nature’s beauty,
wanting something to cherish.
Grateful for them, knowing my children
will comfort me in his cottage by the sea.
Memories alive in the vibrant garden.
We’re here. Direct sun sparkles off the sea.
He, at peace. The things he cherished.
On the flip side, as a writer myself, I welcome the opportunity to incorporate a place into my stories by offering readers the most accurate description of what that place entails. When I do my research, I take a lot of notes. I also take a lot of photographs to jog my memory when I begin to write and tell my stories. For my latest novel that is set on the Eastern Shore of Maryland—particularly in the towns of Oxford, St. Michaels, and Easton—I spent a lot of time exploring and writing impressions, anecdotes, and talking to people. Getting things right, and using places that actually exist as the storyline unfurls is important to me and offers readers that realistic feel. I take writing about places as seriously as I do developing my characters. In fact, I think of the places as characters in the story.
Additionally, I instruct a Special Topics course at my university in Travel Writing, and I implore students to document their travels as it makes their writing come alive. Taking the time to recount what you’ve learned, seen, and experienced allows you to bring everything to life. Travel journals are awesome, and I love them, but any piece of paper will do.
Week one of book promotion for Inn Significant has come to an end, and I wanted to thank all 594 people who entered to win on Amazon for doing so! We had three winners this week–Thelma, Kendra, and Jessica. I hope you all enjoy Inn Significant…I really do.
I’ll be giving away some signed copies this week on my author Facebook page thanks to some good ideas from my savvy students in public relations class. So stay tuned…
I also wanted to thank the Star-Democrat newspaper on Maryland’s Eastern Shore for featuring the story about the book this week. Hopefully, some folks who either live on the Eastern Shore or love visiting Oxford, St. Michaels, and Easton (like I do) will enjoy the story of Milly Foster and her life at the Inn.
With only a couple of weeks remaining before the return to school and classes, do you have time to squeeze in one more book this summer?
I’m currently reading In Defense of the Princess, a nonfiction account of one woman’s affinity and respect for the princess culture. As a fan as well, I wanted to read something that wasn’t fiction since that’s my typical go-to type of book. I wanted to go out of my normal genre. So far, I’m really enjoying it.
But my favorite quote about summer reading is the following:
“Summer is a great time to expand our horizons as readers and to try something new, either a new genre, or a new author, or a new topic, or a new place to read.” -Pam Allyn
So, if you haven’t picked up something different this summer, why not do it before it ends?
I remember dearly my great grandparents. In fact, my great grandfather outlived my own grandfather, who died of Leukemia at the young age of 63. I bring this up because we were having a conversation the other day about our earliest memories—things we remember from being a kid. I have some distinct early memories as a child growing up in New Jersey before we moved to Maryland when I was five years old.
Several of my early memories involve my mom’s parents’ house on Myrtle Avenue in Cedar Grove, New Jersey. They lived in a Cape Cod style house—an adorable little thing with a back yard full of gardens, a bocce court, grape vines, and way in the back of the yard, train tracks that ran through Cedar Grove. There was a swing my grandfather (Poppy) put up for me in the back left corner of the yard. I remember swinging on the swing. I also remember that my grandparents were going to have a party one afternoon, and my mother made me take a nap at their house before people came over. I had a piece of gum in my mouth, and I slept in one of the two bedrooms upstairs. I did fall asleep, and when I woke up, the gum was mush in my mouth. I ran to the bathroom and stood on the toilet to peek outside the window. The party was beginning, and I remember not wanting to miss it.
Perhaps that’s why I have a love of parties and entertaining.
I also remember wanting to wear my aunt’s high heels. I went upstairs on another occasion and tried on her shoes. As a small kid, I didn’t realize those high heels would make it difficult to walk down the stairs of my grandparents’ house. I fell down the stairs—tumbled all the way down and gave my mother a pretty awful fright.
I’m blaming my aunt for my love of high heels.
Another distinct memory I have as a child is going visit my great grandparents; their home was not too far from my grandparents’ house. Nana and Old Pop had a cukoo clock in their house that did, in fact, cukoo. I loved that thing. I remember being mesmerized by it. I also remember the smell of Nana’s house—it smelled like a combination of old house, basement, and pizza dough. I can still picture Nana in the kitchen tossing pizzas in the air. I remember it distinctly.
I’m pretty obsessed with clocks, used to have my own cukoo clock given to my by my dad’s parents, until it no longer worked, and I make my own homemade pizza now.
I also remember when Neil Armstrong walked on the moon. We were living in an apartment in Cedar Grove…I was four at the time…and we had a black and white television set. My mother woke me up very early so that I could see history take place that morning. I remember sitting on the green rug watching it unfold.
And finally, I remember riding my bike and playing on the driveway of my grandparents’ house with the neighbor’s kid Michael. We would play together when I would go over there. He was my first friend who was a boy.
When my grandmother died and I attended her viewing, those very neighbors showed up to pay their respects. Michael wasn’t there, but the parents were. I remember being so touched that they came, seeing as how my grandmother hadn’t lived in that house for many, many years when she passed.
And perhaps meeting them again was all it took to inspire me to write a story about two kids who grow up next to each other and fall in love in my first novel called Beneath the Mimosa Tree.
These are my earliest memories from childhood. What are your earliest memories from being a kid?
Stephanie Verni is the author of Baseball Girl, Beneath the Mimosa Tree, and the co-author of Event Planning: Communicating Theory and Practice
My summer break is finally here. As a college professor, we love our teaching, but sometimes a little down time is important. For months, people have been asking me what I’ll be doing this summer.
My answer? Reading, writing, relaxing.
There you have it in a nutshell.
And yes, I have some things to accomplish, but they will get done on my schedule.
I’m still editing “Postcards and Other Short Stories,” and I’m writing my third novel. But the beauty is, I feel no pressure. I’m on my own timetable.
Our porch at home is my little sanctuary. I love my office, its space, and the new chandelier, but in the summertime, I like to be outside as much as possible, and so my little laptop and I venture to the table on the porch where I listen to the birds chirping, the airplanes fly overhead, and the sounds of silence while I write. It’s a great time to collect my thoughts, get creative, and let things unfold as they may.
I’m excited to talk to students tonight about the self-publishing world. Faculty in the Halls, a program at Stevenson University, has asked me to speak to students about the path of publishing your own book. As I’ve published two novels this way, I’m excited to share my knowledge of the growing arm of publishing, how you can make this work for you, and the pros and cons of doing it on your own. I’ll be talking about both Beneath the Mimosa Tree and Baseball Girl, and I hope to inspire some folks to give it a whirl. It’s by no means easy, but it is something that, given enough drive and determination, you can do it.
Also, as it is an absolutely stunning Monday morning here in Maryland, and I’m feeling inspired by the rebirth of spring, I thought I’d share some of my favorite inspirational quotes to get you through this week–and rejoice in all that the rest of spring and summer have in store for you.
Do you have any big plans coming up this year? What do you plan to do that you have always wanted to do? Are you expecting to travel soon? If so, where? What inspires you? Begin to write these things down and allow yourself to look forward to things ahead, while also remembering to enjoy this very moment right now.
There is much to be inspired by, and much we can do to inspire others.
This morning I decided to do a little research for the novel I’m working on—yes, I’m writing again, and I’ve got two chapters under my belt thus far. However, despite the fact that I’ve lived in the Annapolis area for quite a while, I wanted to take a stroll along some of the streets I don’t normally walk around when my daughter and I shop down there. We typically hit Main Street and the Annapolis Dock, get an ice cream or coffee, and wander around the shops. Today, I stayed up by St. John’s College and Maryland Avenue, popping in and out of Prince George Street, King George Street, East Street, and College Avenue. I was looking for some inspiration. When I write about something, I need to have a good image in my head of the setting–of exactly where my characters will live and breathe. With help from a lovely woman I met this morning named Jenny, who offered up some history of the area and some people with whom she thought I should meet, I’m getting really excited about this novel.
So with my Nikon in hand and the quiet streets of a weekday morning in Annapolis at my feet, I’m sharing the photographs I took from a morning’s walking tour of Annapolis…
My first book was set in Annapolis. I guess the old adage is true: write what you know.
In the textbook I co-authored with Dr. Leeanne Bell McManus and Chip Rouse about Event Planning, we have an entire chapter dedicated to creativity. This is one of my absolute favorite topics to discuss—with friends, with fellow writers, with students, with my children, and with colleagues. Maintaining a sense of creativity is important in so many careers; in fact, there are very few careers that do not value some sort of creativity and innovation.
However, the tricky part comes in when we, as people who can often be stretched balancing work and family/friends life, find ourselves zapped of creative impulses and notions. If this describes you right now, don’t despair. It has described me countless times before as well. Luckily, your creativity will find it’s way to you in good time. It’s cyclical—it comes back around. But how can we foster it and encourage it to return?
For years, I’ve been reading articles on creativity, from one of my favorite articles called Creativity and the Role of the Leader from the Harvard Business School to writers who discuss fostering creativity. There is so much still to learn about creativity and how to nurture it and develop it, but over the years, I’ve found several things that work for me and I thought I’d share them with you today.
#1: Read a Lot
No matter what career field you find yourself in presently, you should always be reading up on innovations within your area of work. If you are a teacher, read publications, blogs, books, and websites that could offer you information and help spark your creativity. For example, just the other day, I read a fascinating article from The Chronicle of Higher Education about how to end the last few minutes of class and help students remember the key points that were made during that lecture. As a college professor, I never quite thought about ending my course in this manner; however, now that I’ve read that piece, I am keen on giving that particular tip a try. Ideas are shared everywhere, and it’s your job to tap into those readings that can help you with your creativity. As an author, I read a lot of other writers—reading their work helps me spark ideas for my own fictional writing as I observe plot, characters, dialogue, setting, and more as I delve into each particular novel I read.
#2: Get Out of the House
When you are sitting at a computer or trying to create a project and things are not going the way you planned or you are staring at a blinking cursor, get your butt out of the chair and go for a walk or run, visit a museum, have lunch in a sidewalk café, stroll the aisles of a library—do whatever it takes to change the scenery. I know that frustration can sometimes get the better of me, so just moving my body away from it for a few minutes invites clarity and perspective to return and helps me continue along with my project.
Brainstorming started back in 1953, and the idea was coined by Alex Osborn (we have a whole section on this in our textbook). Brainstorming is a great way to start a project when you feel stuck. Putting a lot of ideas to paper, putting them on a chalkboard, writing them in your journal, or creating a mind map are all ways to begin the brainstorming process. The best part about brainstorming? At this early stage of creativity, the best part about brainstorming is that NO IDEA IS A BAD IDEA. Sometimes the craziest notions become the strongest contenders. Push yourself to facilitate some quality brainstorming—you may just come up with the most innovative idea you’ve ever had.
#4: Believe in Your Own Creativity
As an educator, I cannot tell you how many times I hear students say, “I’m just not that creative.” I’ve even heard people who are writers say, “I just don’t know if I can finish this thing—I’m really not that creative.” While it’s true some people are just naturally gifted with creativity, it doesn’t mean that you are not. It’s like anything else in life: if you believe you can achieve it, you probably will. Shoo those demons out of your head that tell you that you aren’t creative; ignore the comments you may hear from others; dig down deep within yourself and believe that you not only can be creative, but that you already ARE creative. This belief will carry you through any project that requires a great deal of creativity.
#5: Have Fun with Creativity
Way too often, we put pressure on ourselves that everything we create must be perfect. Good Grief—if I thought everything I created had to be perfect, I never would have published my two novels (trust me, I could still be editing Novel #1 if I didn’t finally say to myself, “It’s done. Put the sucker out there.” At some point I had to let it go.) Creativity is not an end-all-be-all. It’s a continuum, a circuitous path we must embrace. Sometimes our creativity will be at an all-time high; at other times, it may not be as stellar. But guess what? It’s all okay. We are mean to have fun with it. Keep going, keep having fun.
I hope these ideas help you embrace creativity, when it comes, when it doesn’t, when it’s frustrating, and when it’s amazingly stellar. We’ve all had bouts of highs and lows with our creativity.
The important thing is to persevere. Creativity is meant for you, after all.